THE ART OF MYTH-MAKING: A MICRO REVIEW OF F.J. BERGMANN’S "A CATALOGUE OF FURTHER SUNS"

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Gold Line Press

May 2017

48 pages

Goldlinepress.com

 

 

“perhaps it was like singing” – “Duration”

 

Imagine if you live in a place without birds and then start reading Darwin. Let’s also assume you have no context about Darwin’s life or what society was like in his time. His notes would be a found object—full of fantastic descriptions from an almost alien realm. This is what it feels like entering A Catalogue of Further Suns.

 

Put another way, poems in Catalogue read like fragments from Kirk’s Captain’s Log.

 

            Their visible spectrum intersected ours,

            And their data systems were also binary.

 

– “Compatibility”

 

 

Foreign settings coupled with familiar concepts and human perceptions seduce the reader into these possible worlds.

 

            They were devouring small birds, roasted

            by the dozen, using the violet-feathered skins

            to adorn their spines.

 

– “Omen”

 

Bergmann’s healthy imagination is peppered with humor.

 

            And a man arose late one morning

            to find a basalt sarcophagus, sealed

            with lead, that could not have fit

            through any door, but was somehow

            there in his now-crowded bedroom.

 

– “Oneiroliths”

 

 

At root Bergmann’s poems are serious, and the poet always writes with intention. This sincerity is often cloaked in the guise of otherness and play.

 

            They continued

            wishing for more wishes

 

– “Chronomancy” 

 

 

 

About the Author:

F.J. Bergmann is a poet, science-fiction writer, artist, and web designer. Bergmann is the poetry editor of Mobius: The Journal of Social Change and former editor of Star*Line, the journal of the Science Fiction Poetry Association.

 

 

About the Reviewer:

Mark Danowsky is Managing Editor for the Schuylkill Valley Journal. Information about his poetry editing service can be found at vrscrft.wordpress.com.

 

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